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Click to Watch in HD > J.S. Bach Invention 13 - Classical accordion music - fisarmonica Akkordeon Duo Acordeon instrumental
Watch Jo Brunenberg and Wim Niëns Accordeonduo BIBOB - J.S. Bach - Invention No.13
Accordion music - Akkordeonmusik
Gebaseerd op de originele piano partituur. Bewerkt voor twee accordeons door Bert van Maaren. Accordion players Jo Brunenberg and Wim Niëns on Fisart and Vignoni Bach Compact. Acordeon instrumentala.
THE ACCORDEON / ACCORDION CHANNEL
Accordeon duo - Klassiek - Classic Akkordeon - musique a laccordeón classique - acordió - أكورديون - harmonikka - ακορντεόν - бая́н - muzyka akordeon - ધમણવાળું વાદ્ય - cairdín - harmónikku - 아코디언 - akordeonas - Acordeones - tocando el acordeon - хармоника - 手風琴演奏 - アコーディオン - ակորդեոն - классического аккордеона дуэт - баяне музыка - Accordion Music - Klassik Akkordeon Musik- Accordion Song - Klassiek Accordeonmuziek - acordeón música classica - musica fisarmonica - fisarmoniche - fizarmonikë - música acordeão - harmonika - harmonika zene - Bayan - dragspelsmusik - dragspel - akordeony - akordeonie - akordeonowe - trekkspillmusikk - trekkspill - haitarimusiikkia - бая́н - Accordeonist- Accordionist - Accordion player- acordeonista - ACORDEONEROS - аккордеонист - аккордеон дуэт - akordeon müziği - Nederland - Limburg
Duo de acordeon
Classical piano accordion type Fisart and Vignoni Bach Compact with double cassotto and a mano reeds.
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. -- 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bachs works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, the Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, and the Great Eighteen Chorale Preludes and Organ Mass.
Bachs abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time
Great composers like Johann Sebastian Bach, Antonio Vivaldi, Wolfgang Amadeus Mozart, Joseph Haydn, Jean-Philippe Rameau, George Frederic Handel and Johannes Brahms of course never wrote for the accordion as the instrument did not yet exist at that time but some of their compositions can be very well played on the accordion.